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Monday, December 30, 2013

Dodgy Film Club: Season of the Witch

A meeting of two actors who seem to have trouble turning down work! Nicolas Cage and Ron Perlman are Crusade knights, who are tasked with escorting a ***SPOILER ALERT*** witch demon to a trial by monks. Oh and the witch demon is possibly responsible for the plague.



This was added to our watchlist as it featured on How Did This Get Made? and I may have a bone to pick with the good podcasting folks. Admittedly, they saw it upon its release, but this film doesn't even work as a bad horror movie. Don't get me wrong, it is bad. Highlights include
  • Fluctuating accents 
  • Historical and cultural inaccuracies
  • Ron Perlman playing himself!
  • Nic Cage in a glorious wig
  • Phrases like 'let's get the hell out of here' and 'shit'..in Crusade times..
  • Bad CGI
  • Wolves werewolves vampire wolves? with an apparent death wish
Some good old fashioned Crusade-era banter. And hair.
So basically the Church sent these guys to kill all the non believers. Nic Cage is fine with this until he kills some woman and he is suddenly hit with righteous remorse. Nic and Ron leave the army, only to be eventually captured and held in a cell. They then agree to transport the 'girl' (witch/demon) to her trial by monks. There's a demon (satan?) involved, who looks like something out of Doom and sounds like a pantomime villain. In the end religion wins and the plague goes away. Yeah...

On the plus side, Claire Foy, who plays the oddly attractive Adorabelle Dearheart in Going Postal, is 'the girl' and by gods there is just something about her in this too.


Sunday, December 29, 2013

Punktual Library: The Disaster Artist by Greg Sestero

  
THIS BOOK. Everything you wanted to know about the making of The Room, and more! Take away the greatest bad movie ever as the subject matter and you still have a captivating, creepy, gripping, funny, vaguely unsettling, curiously optimistic page turner.

For every answered question there springs forth another half dozen fresh questions. We learn much about Tommy Wiseau; mainly that he is a secretive, confusing enigma, even to someone as close to him as Greg Sestero.

Seriously, if you have any interest in The Room, psychology or weird characters, buy this book now.. Things we learn:
  • Where Tommy is actually from (sort of!)
  • How Tommy made his money (kind of!)
  • Why Greg and many of the cast got involved and more importantly, stayed involved
  • What it's like to be roommate with Tommy!
  • Seriously, just read it
There are also photos and lines from the original script including such classic broken English as:
Promotion! Promotion! That’s all I hear about. Here is your coffee and English muffin and burn your mouth.

Read my interview with Greg Sestero AKA Mark here

Friday, December 27, 2013

Top 5 punk-ish bands of 2013

I don't usually do 'end of year' lists, but here is the Good Days And Cliches Top 5 punk or punk-related bands of 2013, based on my last.fm play count. Surprisingly, all but one have had an album out in 2013, so it's actually vaguely relevant. You won't find any tumblr bands here..as much as I want to keep up with modern pop punk, I think I'm slightly stuck in the Epifat, skate punk years!

1. Alkaline Trio



Every time I'm drinking with my punk rock friends, drunk, feeling nostalgic, feeling bitter, feeling trapped, or a mixture of all the above, I listen to Alkaline Trio. Even if they hadn't released the decent offering of My Shame Is True they would still be in my top 5 list, based on play count.

 2. A Day To Remember



ADTR are one of the newer/younger bands on my list, but they've been stapling breakdowns to pop punk songs for ten years now! I got to see them this year, so I was listening to them a lot even before they dropped their latest album, Common Courtesy, which is getting better with each play.

3. Bad Religion



Bad Religion released a new album this year and I was also lucky enough to see them for the first in 2013. Though I haven't listened in a while, True North was on regular rotation for me when it came out first. I took a short break from listening to them after seeing them live, but they are never far from my speakers.

4. Nofx



The only band in my top 5 not too release an album this year or play a show nearby. Nofx make the list through the sheer volume of their back catalogue, which is stuffed full of classics.

5. Chunk! No, Captain Chunk!



Scraping in at number 5 are the French easycore specialists. Pardon My French was one of the best albums of 2013, even if it did veer away slightly from pop punk.

Honourable mentions go to Less Than Jake and Streetlight Manifesto, who both released good albums this year!

Monday, December 23, 2013

The new A Day To Remember video is fun

For the last year or so I've started to feel my age whenever I checked out newer pop punk bands, and not for the reasons you might think. Y'see kids, in my day, pop punk bands were fun. They dyed their hair stupid colours and their videos were a vehicle to show how funny and rebellious they were compared to the rest of their suburban friends!

So needless to say, I'm happy that A Day To Remember are keeping the faith, with their video for Right Back At It Again.



Sure, the lyrics rhyme 'school' and 'cool', and the video is essentially a three minute version of a gag from the My Friends Over You video by New Found Glory, but we gotta take our victories (sorry) where we can find them.


Friday, December 20, 2013

Top 10 Teenage Tunes: Ashley Overdrive

Everyone's fave scene girl and future mover n shaker Ashley Overdrive is back! Check out the soundtrack to her teen years and feel old because a blink-182 song from 2011 is included! Ashley can be found on tumblr and various other places on the internet @ashleyoverdrive
 
One of the most amazing feelings in the world is when you hear a song that makes you think of a certain moment; the way dust was swimming in sunlight, the smell of a particular place, a morning commute to school. These are literally just melodies and rhythms melded together in such a way that our brains take us back to specific sets of memories. If that isn't one of the coolest things about how a human brain functions you ever heard, then gtfo right now because here are some songs that bring on my own middle/high school nostalgia. 

1. Wake Me Up When September Ends - Green Day



This is a must-have for any middle school emo kid circa early-mid 00s. Green Day was probably the first band I had a serious obsession with, shortly followed by My Chemical Romance. The dramatic shift after the first two verses of this song were so emotional the first time I heard it. American Idiot in its entirety is truly a masterpiece, I can't even lie...if 12 year old me was able to sit through the 9 minute tracks without getting impatient, it must have been good. I remember when I took guitar lessons in 7th grade and learning this song, it made me feel like such a badass.

2. Sugar, We're Going Down - Fall Out Boy


I don't think there's much I have to say about this song besides the fact that if you do NOT air drum along to the intro, then I dunno if I can be your friend. FOB was this new & fantastic blend of emo-pop that I could not get enough of, even if they were a mainstream band constantly on the top 40 lists [UGH what POSERS!!!!1]. They were popular well before my parents allowed me to go to concerts in the city/by myself, so my first chance to see them was at Skate & Surf this past May. Standing in the pouring rain to see them after all those years and hearing the familiar drum intro, I almost peed myself. 19 years old going on 13 and no fucks to give, probably one of the best [and most long-awaited] shows of my life.

3. Bite To Break Skin - Senses Fail


Holy SHIT do I love Senses Fail. They were the perfect level of angsty for me, nothing too aggressive - I never got into metal, so this was my way of keeping up with my guy friends who were all into dad-rock [at age 13, wtf]. I think this was one of my first instances of anything "melodic" or whatever you wanna call it. I finally saw Senses Fail at Bamboozle 2011 [my glasses broke in my backpack during their set] and again last May. They came to a venue by my school the night before I left for summer break, and pulling an all-nighter after this amazing show to finish packing was absolutely beyond worth it. Their energy after all these years is fucking great, and their music keeps getting better.

4. Reverse This Curse - Escape the Fate


Ahh, man, this album was so good. Ronnie wasn't as much of a sleazeball, the band drama was at normal levels instead of super ultra mega drama queen status, and their future as a Warped Tour-core band seemed bright. Alas, an entire avalanche of bullshit rained down upon them. Now the new Escape the Fate and Falling in Reverse are in a desperate attempt to "bury the hatchet" and scrambling to maintain the few fans they have left [and cash in on their so-called truce]. Will this be the end of the ETF x FIR feud? In my opinion, hell no, but this song reminds me of riding the bus back home in 8th grade, scouring myspace for their newest stuff, and wondering why my makeup couldn't be as good as Ronnie Radke's. 

5. Starlight - Muse



Honestly, I don't remember the first time I heard this song, but it makes me think of the city and having it as my Myspace profile song and being in 8th/9th grade, a lot, so yeah that's about it.

6. It's Dangerous Business Walking Out Your Front Door - Underoath


I think Underoath was one of the first screamo bands I listened to that felt serious; it seemed like they put a lot of thought into their image as opposed to witty song titles and zany promo photos. The music sad but with sophisticated lyrics, very mosh4christ type stuff but it really drew me in. The chanting at the end of this song specifically ("drowning in my sleep/I'm drowning in my sleep") is almost haunting, and I loved it. 

7. Natives - Blink-182

Blink's return to the scene came the summer before my freshman year of college. I remember jamming to Neighborhoods when it was first released, and although there are a ton of great tracks, it was Natives that quickly rose up as my favorite. The fast-paced rhythm, the mix of Tom & Mark's vocals, and the opening of the second verse ("Don't start to panic for me, 'cause I have nothing to lose/I am as bright as the sun, I burn up all that I choose") all combine to make this track one of the most memorable songs of that entire year for me. Just listening to this song again makes me think of sunshine flooding my cramped dorm room and listening to this album as I walked to class.

8. Le Disko - Shiny Toy Guns



The only reason I found this song is because it was iTunes free download of the week when I was in middle school. It had such an industrial, underground, dirty rock & roll meets rave goth-type vibe that made me feel like I was dancing in an abandoned warehouse wearing a leather miniskirt. I still love this song, makes me feel kind of like a badass. Also, fun fact, the last bit of the chorus ("we're the girls le disko / supersonic overdrive") is where "ashleyoverdrive" really comes from.

9. Claims Should Echo - Dr. Manhattan



Dr. Manhattan [yes, their namesake is the dude from Watchmen] is a group of dudes from Illinois making alternative/indie/pop/rock music that is just plain weird....and I love it. They were opening at the first local show I ever went to, the summer just after 8th grade, and it was an amazing introduction to the scene. Since I got their CD that night, I've been hopelessly addicted to their zany style. My best friend and I were their #1 fans, even earning a spot on their myspace blog with a video we made for them [we baked them a cake, it was pretty sweet]. Just hearing them again makes me think of that time we got her mom to drive us all the way to Boston to see them play a free show on some random college campus, which definitely ranks as one of the coolest things a parent has ever done for me.

10. Escape Me - Tiesto 



I was never much into EDM besides the basic radio stuff and a handful of party mixes/full festival sets I dig up on Soundcloud, but one of my best friends in high school was obsessed with the whole scene. She loved Deadmau5 and Wolfgang Gartner, but Tiesto was definitely up there. Before I had my license, she would drive me around most of the time, and of course the driver is the DJ so we had a grab bag of stuff going on, everything from For the Fallen Dreams to Skrillex to A Day to Remember to Bayside. This song was one of those instantly catchy ones for me, and I put this one more often than not whenever I got the chance to control the music. It makes me think of her white Jeep, driving around at night, driving to this sketchy hookah bar where her boyfriend DJ'd a few nights a week, and the summer between sophomore & junior year. Definitely one of those "windows down, volume up" songs for me.

Tuesday, December 17, 2013

It's a punk rock Christmas!

It felt like there was a time when if you were a REAL PUNK you didn't like Christmas. I always thought this was stupid cos what's more punx than sharing stuff and having good times with your friends and family? There have of course been Christmas covers before, but this year the festive cheer seems to have been embraced across the board, from old punk rock dinosaurs, to the young pop punk heartthrobs.

Bad Religion Christmas Songs



I love Bad Religion, but they aren't exactly known for having fun, let's be honest. So when they went balls out with these covers I gotta say it made my day. Of course, people are mad, but they are donating 20% of proceeds to SNAP, a support network for the victims of clerical abuse, so that works for me.

Misfits Horror Christmas


I saw somebody online disown Misfits after hearing this, which is laughable cos everyone else disowned Misfits a long time ago and enjoys the Graves and Danzig albums. Also, this song is pretty sweet! Probably the best thing the modern Misfits have done.

New Found Glory / Punk Goes Christmas



The incredibly well marketed 'Punk Goes..' franchise goes Christmas this time. Usually the formula is simple: take popular songs and have relatively popular bands cover them. This works well. What doesn't work so well is having the bands write their own Christmas songs...They missed a trick with this one I think. Still, the NFG song is a decent attempt at a campfire/radio/singalong song and I'm sure the teen scene girl market will eat it up.

Wednesday, December 11, 2013

The Wonder Years - 28 NOVEMBER @ Bóveda, Barcelona - review by buh!



Is there anything more endearing than an enthusiastic Euro talking emotively about their passions? Skatepunkers Spanish forum member, and friend of this blog, buh! (not his real name..) agreed to share his experiences from The Wonder Years show in Barcelona. Would they wear sombreros and play some flamenco songs? Would they take a stance against bull fighting? Would they appear to have any fun at all? Let's hand over to buh! to find out... 

It was pretty cool because my last show was in May so I was thirsty haha. I wanted to have a nice singalong show and I went there with no expectations at all. Not really into the new album so I showed up and just let the thing go.

TWY got on stage fastly (and) started playing without saying hello. Soupy just showed up right before the first chord, there was no presence of them before the venue opened and they were nowhere to be found...Bad point.
 
They played 5 songs from the new album and I just liked 2 of those...boring moments... But at least they played some truly great songs like Coffee Eyes, Came Out Swinging (as the last one) Melrose Diner, Don't Let Me Cave In and Washington Square Park. Those were the highlights for me, no doubt. So much emotion I just run out of voice. Man, that was passionate.


In between songs there was Soupy motivational and posi speech...talking about "you can do whatever you want if you really fight hard to achieve it even though the world will be against you" kinda stuff. Really nice and heartfelt yes, but I would have loved 2 songs more instead of him talking...


Whatever...just 12 songs...less than 45 min of music? Oh c'mon!! That was really disappointing.


Fun fact: Soupy touched his hair more then 16 times during the show. At moments he was just about to cry, red eyed and looking kind of anxious. Passion, or he just gets into the role too much? 


The sound was good and they played nice. The 3 guitar thing is unnecessary for me but...


The crowd was nice but too small...less then 50 people haha. Really sad. And there was a lot of kids who didn't know the old songs... I even yelled 'PLAY KEYSTONE STATE, KEYSTONE STATE DUDE CORE!!' two times but they looked the other way or didn't listen!

The moment they ended the set Soupy jumped offstage and vanished out the exit door. I was hoping for them to get a little bit closer to the fans but whatever haha.

Wednesday, December 4, 2013

Punktual Playlist: Streetlight Manifesto - Linoleum (NOFX cover)

Reggae and ska covers of songs can be brilliant or brutal (that means bad, folks). When they are covers of punk songs though, they usually work. Of course when Streetlight Manifesto are involved quality is assured and as this is a NOFX to boot, well... it's a shoe in to the Punktual playlist.


Monday, November 25, 2013

Greg Sestero aka Mark from THE ROOM interview

Greg Sestero, better known as Mark from the 'The Room', has written a behind the scenes book about the film; The Disaster Artist. Even better, he is doing a book tour that hits The Rio Theatre in Vancouver on November 29.  If you haven't watched The Room...do it, do it now!

  
How is the tour going so far and where are you now?

The book tour has been a lot of fun. Fans always make the experience memorable. I'm in Kansas City doing a show tonight at the Alamo Drafthouse. I did an event at the Coolidge in Boston last weekend and I had fans come up on stage and perform scenes from The Room's original script, which was hilarious. 

I’m guessing traveling to screenings has been one of the major perks from starring in the Room, what’s the most interesting place you’ve been for a screening?

I've been fortunate to travel to a ton of great spots like Dublin and Liverpool and Prague. 

Have you been to the Rio or Vancouver before with the Room or otherwise? The Rio screen cult films regularly, I think you’ll have a good night!

This is my first time in Vancouver and I'm really looking forward to it. I've heard nothing but amazing things about it and The Rio. Vancouver's culture seems right up my alley.  

Did the 10 year anniversary play a part in your decision to write your book and make the documentary, or was it something you have always wanted to do?

I've always wanted to tell the story behind The Room and my involvement with it. I started writing The Disaster Artist over three years ago and its release just so happened to coincide with the 10 year anniversary, which was a perfect time for the book and documentary to come out.

I know you keep in contact with the other cast, did that make securing interviews and the process in general easier? 

Everyone in the cast was very supportive of the book and willing to share their memories. Juliette, Kyle, Robyn and Carolyn showed up to the L.A book launch at the New Beverly Cinema. Since Dan, Philip and Greg don't live in L.A, they all did video greetings for the documentary which meant a lot. They're a great group.

You’ve probably told this story a hundred times, but how did you get involved with Tommy and subsequently the movie?

I met Tommy at an acting class in San Francisco in 1998. He went up on stage and performed a Shakespearean sonnet and I'd never witnessed a performance like that! After he argued with the teacher that he was right and she was wrong, I approached him to a scene together in the hope to find out exactly what he was about. That decision took me on a journey I could've never imagined.

Were you given a complete script before filming and if so what were your initial thoughts?

When Tommy handed me the original script for The Room in 2001, I thought it was the funniest thing I'd ever read. Every character spoke like Tommy. And the turns of phrase were one of a kind. He initially wanted to produce The Room as a play and I thought if it saw the light of day,  it would either horrify people, or bring them to their knees with laughter. It kind of did both.

At what point did you realize it was going to be a disaster?

I knew The Room was never going to be a conventional film. It was going to be "Tommy" in every way. That being said, I knew from the very beginning it was going to be the perfect train wreck.

I’ve heard the rooftop scenes were done with a green screen, which would make sense, but filmed outdoors, which would defeat the whole purpose.. is this true?  

Yes, the rooftop scenes were green screened. It was Tommy's vision to shoot it that way rather than use a traditional rooftop. He always said he was going to make The Room the same way "the big Hollywood sharks" made their movies. I think his green screen decision adds even more bizarre charm to the film.

Can you share any other behind the scenes Easter eggs that people might not have spotted?

Witnessing the scene in which Tommy vamps across the living room blue steeling to set up the wiretap tape recorder is something I can't unsee. I detail it more in Chapter 11 of The Disaster Artist, but there are gems in there that I don't think fans have noticed--like Tommy reading cue cards from the staircase.

Just how awkward was the staircase sex scene?

As awkward as it looks. It was a 100 degrees in there. 

Were there any lines you refused to say or improvised? I mean, you seemed pretty half-hearted in your ‘cheep cheep’ chicken impression.. Did you ever point out that chickens don’t actually ‘cheep’?

I always laugh when I watch that scene, I totally phoned that cheep cheep in. I tried to fight Tommy on saying "I'm very busy" multiple times but he told me "If I want to be actor act like one," so I gave in. Same goes for chickens and cheep cheeping.

What is your favourite Mark line? I’m guessing ‘keep your stupid comments in your pocket’ is a fan favourite?

"Leave your stupid comments in your pocket" is a great line, but I think my favorite is "I just saw you, what are you talking about."

I have to admit I struggled not to say ‘oh hi Mark’ or ‘oh hi Greg’ to you. How often do you get recognized and how often is that line shouted at you?

It happens pretty often but it's all good. I'm a movie fan so I get it. I'd probably do the same thing if I wasn't Mark. 

How do you feel about the movie now? Are you able to enjoy it for what it is, knowing that it has achieved cult status, or does it still make you cringe?

I enjoy The Room for what it is; a one-of-a-kind cinematic experience. It's a guilty pleasure in every sense of the word and it has made a lot of people laugh for 10 years. I do skip the love scenes though.

What can people expect from the show on the 29th?

I think it will be the behind-the-scenes look at The Room that fans have been waiting for. There'll be a screening of my 'Room' documentary featuring interviews from the entire cast. I'll also have audience members come on stage and do a live script reading of The Room's original script, followed by a Q&A and book signing.

What are your plans for the future?

I'm looking forward to doing creative projects that I'm passionate about. I think The Disaster Artist is a good start in that direction. Next year I'm going to be doing a full length feature with the creators of 5 Second Films that will be a lot of fun.


Catch Greg at The Rio Theatre on November 29th and tell him to keep his stupid comments in his pocket!
Grab his book, The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made now!

Jingle All The Way Drinking Game

JINGLE ALL THE WAY DRINKING GAME 

'tis the season!

Saturday, November 23, 2013

Elder Abuse - Born To Lose (p)review



Elder Abuse are a punk rock band from Canada whose members have 'been around the block' in countless other bands (including drummer Dan Donald of Daggermouth) but they have not lost the drive or passion for creating music, judging by debut release Born To Lose. Fans of Daggermouth will always be hoping for more hardcore-influenced pop punk fare from ex members, and Elder Abuse provide healthy doses of this, in amongst a melting pot of other genres that may not suit all punk palettes.

From the start the dueling influences are there to hear, with the emotionally charged vocals of Tropical Song contrasting oddly with the slightly lethargic pace of the music. But around the 30 second mark the song kicks off, with some well placed drum fills and a second layer of vocals that really make the song. A breakdown soon follows and the song keeps improving from there.

Rex Manning Day is next and it's my probably the best song alongside the previously released Worst Case Ontario. The lyrics will soon be Photoshopped onto images of bleak Canadian wilderness and plastered across Tumblr, if there's any justice in this crazy world. Melodic punk rock with emotional lyrics is a recipe for success!

There are times that Elder Abuse dip into some kind of post hardcore/troo pop punk territory, slowing things down to play ringing chords or melancholy guitar licks. This isn't really for me, but if it reaches the right ears, it could help fill the void Basement have left.

All in all, this is a band with a lot of potential. I'm cringing at how condescending and patronising this might sound, considering the history of the band members, but Born To Lose has the raw enthusiasm associated with the first release of a new band. When the hardcore, pop punk and skate punk elements are blended, there are few bands at the moment who are better at this than Elder Abuse. The vocals are best used with faster paced melodic songs whereas I feel the slower sections lose purpose slightly and meander rather than flow.

If you wish Transit were ballsier you'll probably like the slower songs, if you wish Off With Their Heads had a baby with Daggermouth, you'll like the faster songs. Listen to Elder Abuse here and on their bookface. Keep an eye on State of Mind Records for the release date.

Rating: 7/10
blend 90s Epifat skate punk, modern pop punk and hardcore-influenced melodic vocals - See more at: http://www.gooddaysandcliches.com/2013/09/check-out-elder-abuse-ex-daggermouth.html#sthash.rDyIe3ti.dpuf
blend 90s Epifat skate punk, modern pop punk and hardcore-influenced melodic vocals - See more at: http://www.gooddaysandcliches.com/2013/09/check-out-elder-abuse-ex-daggermouth.html#sthash.rDyIe3ti.dpuf
blend 90s Epifat skate punk, modern pop punk and hardcore-influenced melodic vocals - See more at: http://www.gooddaysandcliches.com/2013/09/check-out-elder-abuse-ex-daggermouth.html#sthash.rDyIe3ti.dpuf
blend 90s Epifat skate punk, modern pop punk and hardcore-influenced melodic vocals - See more at: http://www.gooddaysandcliches.com/2013/09/check-out-elder-abuse-ex-daggermouth.html#sthash.rDyIe3ti.dpuf
blend 90s Epifat skate punk, modern pop punk and hardcore-influenced melodic vocals - See more at: http://www.gooddaysandcliches.com/2013/09/check-out-elder-abuse-ex-daggermouth.html#sthash.rDyIe3ti.dpuf
blend 90s Epifat skate punk, modern pop punk and hardcore-influenced melodic vocals - See more at: http://www.gooddaysandcliches.com/2013/09/check-out-elder-abuse-ex-daggermouth.html#sthash.rDyIe3ti.dpuf

Sunday, November 17, 2013

The Room Friends Style

I've always said The Room is the gift that keeps on giving. Check out how The Unusual Suspect has made it into a Friends-style intro.



Cheep cheep cheep cheep.

Friday, November 15, 2013

King Prawn interview + new songs


A week ago, I featured King Prawn as part of the GDAC Playlist. I talked about how their song The Dominant View is a favourite song of my friends and I for many years and generally got nostalgic, as I do. Little did I know that Da Prawn were actually back!

Their drummer, Nikolai, filled me in on their return, shared some stories and took the English language on a merry dance. He’s quite the wordsmith!

This is the best screengrab I could get from Youtube.. The 2.50 mark of this song is relevant, more on that later..
As always, I asked for a Generic Band Biography to start.

We formed initially in the mid 90s. We were the leftovers on the London music scene, the ones that no one wanted,  you only had to look at us to see that  the industry would take one look at us and say what the fuck am I supposed to do with that?  So it was a natural progression that our music would take the same path. It's been a rocky one overgrown with some right cuntish weeds but we armed ourselves with razor sharp musical machetes and got hacking.

We released four LPs in our first incarnation and through sheer bloody mindedness we worked ourselves to a position where we were the king of the freaks and kings of the road.
We've always leapt through styles in our songs but ever present was the underlying anger and mistrust of the world in which we live and those that control it.

So what's it like being back? 

It doesn't feel much different for me really, just like we took a ten year holiday then eventually got bored kicking sand around on the beach and twiddling cocktail umbrellas so went back to work and found the office space hadn't been filled. 

How did the reunion come about? And can you explain the lineup changes

We got regular annual offers to do shows and have always said no, it's hard to pinpoint what made this time any different really... fear of a finite existence where the scythe waits at every street corner? Yeah it was probably that.  We have a new bassist in Zac Chang, he's a big rocksteady bear; solid like granite. We also have an extended horn section, a couple of guys that we have collaborated with for years and who featured on past releases. They are Marvellous Matt Dowse and Mr Alex Gordon. We sound far fatter than we ever used to, before it was like a street brawler now it's like an army marching to war.

What has everyone been up to since we last heard from the band?

Hustling, dodging gainful employment, dodging each other, driving to distraction, walking the plank and trying to stay afloat on a savage turbulent sea.

How has the scene changed since you've been gone? Ska punk was thriving in the UK in early noughties with yourselves, Farse, Whitmore, Spunge..It's been, what, ten years? 

Even in our own scene we were never 'in-fitters'.  We were always the minor key minority in a major key majority. I'm not sure there's going to be any ska in any of our new stuff, there may be, there may not be. To us it's not a big deal, it doesn't define us. The songs will be strong, fresh and mint like toothpaste whatever style they're in.

I'm guessing the internet is playing a bigger part in promotion now..

The internet is a big tool that whilst around when we were has changed the whole ball game
in how bands can interact and inform.  Although at the day's end social media is still merely
an extension of the same cliquey competitive willy waving bullshit human condition
and is able to display the very worst side of our collective soul just as quickly as it can the best.  Come to terms with that and we're all gravy.
 

How have your live shows been going? Is your audience mostly older folks now or are some of the younger British ska bands brought a new audience for you?

Very well thanks, we haven't really done enough shows to gauge just what the audience is. Reading and Leeds seemed younger, like the younger siblings of our crowd back then that were always left at home sulking when their elders went out and tied one on. To be honest if the music is good then it transcends generation and reaches to all age groups. I think the nature of our music and punk in general appeals to the young and the young at heart through the sheer energy of the music and the passion with which it's delivered.


Da Prawn were favourites of Kerrang! magazine for a time, and The Dominant View was featured heavily on p-rock TV, what kind of bands were you touring with at the height of your initial fame? 

Fame eh? Are you sure you've got the right band here?! That side of our business always made us feel uncomfortable, but thankfully we never got close to the kind of scrutiny that tears your life apart and makes daily life unbearable. This was never part of why we do what we do. We make music, you only have to look at the state of our culture and it's depressing obsession with idiots that ain't worth a fuck to know that that way lies monsterdom... To actually answer your question we played with all sorts of acts, playing with Madness was a pretty big deal for me as when I was like ten One Step Beyond was the first LP I ever bought. Gig was a disaster though, biggest stage we'd ever got on and we had no monitors for half the set so we were a shambles. Happy days.

More importantly, you must have some great tour stories! Diss the goss..

They pretty much all involve outwitting the international plod and border guards all over Europe.
We made Howard Marks look like a rank amateur.  They might have taken my clothes and dignity but they'll never take my refer! Anyway If I tell all this shit now then you won't buy my internationally acclaimed book when it lands will you?  Plus I'm not entirely sure what was real and what was a dream now. 

What bands are you listening to now, any new stuff you'd recommend? 

I don't know about new stuff, some stuff may be 30 years old but maybe it's new to me. It's a right old mixed bag of bollocks as you'd expect, at the moment I'm listening to The Sound Defects, Dizraeli and the Young Gods, Bedouin soundclash, Sebastien Tellier, Dangermouse, Friendly Fires, 2nd Class Citizen, Prince Fatty, Mala, Shaolin Afronauts, Ebo Taylor, Madlib, Fat Thumbs Ronnie (these can't all be real, can they? - Alanso)and lots of King Prawn demo ideas to see what/how things can be bettered.

So..what the hell is The Dominant View about anyway?

Dominant View is essentially about finding a real nice vantage point, like a well worn bench on a
clifftop on a clear sunny day and just sitting down and taking it all in, reflecting on the finer things in life. That's right innit Al? (he means singerAl Rumjen, not myself - Alanso) ..oh..it's about the perspective and false reality that the marketing and advertising world portray as a norm, when in actual fact it's so unattainable it's harming to the self esteem and mental well being of the easily impressionable.

Was the bridge and 'three snare hit' part at 2.50 or so subconsciously influenced by the bridge in Bullet In Your Head by Rage Against The Machine by any chance? 

I guess so, I mean we didn't sit around and intentionally say 'right we're lifting that!' But back when we were starting out we did rinse the shit out of their first LP. After that though they did stop being too influential on us, I think we lose a little respect for anyone that adheres to strict rigid formulas when it comes to their art form, it's all a bit one trick pony.

Speaking of snares, what gear do you use?

I sold all my kit after Prawn split back in the day, I sold it instantly, just had had enough of drumming, didn't even wanna see as much as another stick. I've picked up bits again over the years playing in Left Step Band but never wanted the arseache of lugging around another full kit. The set up I use now is a Pearl sensitone elite bronze phosphor 14 by 6.5 snare. I did a little research as I wanted to pick up the best mid range price snare going and this kept coming up on forums. Our soundman loves it, he told me to never ever change it. It's a real beast of a drum, deep with a crack like lightening. The shells are a DW birch prototype kit that's about eighteen years old. It's piano black and pretty mean. I picked the whole lot up on Ebay auctions, stands, cases the works, I just couldn't be dealing with going to shops and getting overcharged - a geezer drove down from Sheffield with the shells for me!




Check Da Prawn on Bandcamp and Facebook for music and tour dates. They're touring UK right now, so get on that.

Thursday, November 14, 2013

Bayside release lyric video for new song

Bayside are back and sounding more like the younger, healthier cousins of Alkaline Trio than ever (and that's a huge compliment from me) with a new song and lyric video.



Tuesday, November 12, 2013

Less Than Jake: See The Light Review


Less Than Jake have always reminded me of the kind of underachieving friend you had in school. Sure, you grew up with him, had a lot of good times, and still have good times when you meet up, but there came a point when you thought come on, dude, step up your game.

Well, to stretch this metaphor further, the guy has done some night courses, put a deposit on an apartment, bought some nice work shirts and is ready to kick ass. In other words, See The Light is easily the best thing Less Than Jake have done in years, maybe ever. Of course their fans have already taken to Youtube, bemoaning the decline of 'their' band, but I think LTJ are ready to take ska back to the mainstream. (Ok, maybe not, but it's really good guys).



Lead single My Money Is On The Long Shot shows that the band have finally ditched the 'punk' (aka poor) sound of previous albums and embraced easier on the ears production that enhance their melodies. Ska was never meant to be harsh. Madness and Bad Manners were like a warm hug for your eardrums. Now Less Than Jake are ready to become legends.

Opening track Good Enough is classic LTJ, while Jump is one of the best melodic punk songs I've heard in years and is probably my favourite song on the album. The contrast between the dual vocalists is something I always think the band should have used more, and a good chorus is made great because Roger takes it.

The first 5 songs are very strong. It's raining, it's November, but all I want to do is go on a road trip and eat ice cream with my friends! Bless The Cracks seems like it might be a slight sticking point for fans, varying between radio rock and a 77 rehash, but the chorus saves the song for me, would sing along in my bedroom and feel I 'really get the lyrics'/10.

It's not a perfect album, for the record. American Idle sounds like a bad Foo Fighters b-side and Sunstroke is a filler song if I ever heard one. But the lulls are few and always precede a quality song. Most encouraging, besides the better production values, is the step up in songwriting and the brass section.



While they will never reach the level of Streetlight Manifesto, songs like A Short History Lesson and Weekends All Year Long, the two songs that end the album, go a long way in filling the void left by Streetlight. I saw LTJ a few years ago and it remains one of my top 5 shows, this album has me hoping they'll tour near me again and not take 5 years for another release!

Rating: 9/10



Friday, November 8, 2013

Top 10 Obnoxious Party Songs

What do you do when you don't really like clubs (except in certain situations), but love getting drunk with your friends and acting like idiots? Have regular house parties, of course!

While I love pop punk, heavy shit, Irish folk songs etc, they're not always the right soundtrack to get a party going. I'm talking about a 'let's keep drinking all night, woooo!' kind of night, when everyone is feeling like they're in a rated R movie. Then you gotta break out the obnoxious party songs! Plus, I generally have a low tolerance to clubs, so big houseparties where I have some control over the music is best. Also, a lot of parties use the youtubes, so bonus points for songs that have videos.

Kesha - Blow (Cirkut Remix)


This is an ideal song to get the party started. Nearly everyone knows/has an opinion on Ke$ha so there's a common ground to go on and a nice introduction to the ridiculous dubstep that is to follow. I actually jam Ke$ha on the reg, which confuses/irriates some people, but I genuinely like her pop songs. No homo, no troll. Shout out to my internet homegirl Ashley for awaring me of this track!

Breathe Carolina - Blackout



I still remember first seeing this video on Scuzz and not knowing what the hell what was going on. They look scene as fuq, are playing instruments but...I want to dance? This jam is Serious! So catchy. I don't think this song ever got as big as it should have but I did hear it being played in my local Safeway when I was picking up groceries at like 5.30 and that made me lol.

Sam and the Womp - Bom Bom Bom



So hopefully by now, everyone is good and drunk, because this is the kind of song that can turn the party up a notch, or send everyone retreating to bed. It was number 1 in the UK so obviously some people like it, but you gotta judge the timing of this one. All going well the beat and infectious melody will whip your fun friends into a dance frenzy and seperate those who are there to party from those just looking to crash.

Dizzee Rascal - Bonkers



I love this song as it's got some funky dance beats going on for a little while before going full obnoxious club song. Dizzee can shite on about whatever he wants, but it's all about the build up to dat dirty bassline. If you have access to a strobe light, now would be a good time to use it. Have danced to this in an apartment kitchen in the early morning at least once.

Millionaires - Party Like A Millionaire



Another make or break moment in the playlist. This is the ultimate college girl 'finds herself' at a houseparty song. Imagine if Ke$ha had sleazier cousins that were fun to party with, but, you know, not at your house.. This is a sweet song though, I love sing-song rap and the chorus is so good it's annoying. At the very least people will be mildly offended by how obnoxious the song is! It's time to embrace the excess or go to bed.

Azelia Banks - 212



What an absolute banger! I heard this song on the way to work one day and spent the whole day thinking about getting drunk and playing it that night with my friends. It's the ultimate white person at a club song. Simple enough to dance to, explicit enough to feel like you're edgy/a gangsta and catchy enough to stick in your head.

Knife Party - Internet Friends



I was at a party once where a guy rolled his eyes when I played Skrillex, then proceded to play Knife Party. LOL. Oh yeah, cos the two dudes from Pendulum have so much more street cred than the dude from From First To Last... Anyway, this is a sweet choon though, and I actually think it's easiers for noobs to get into because of all the media references. This is the opening to play some dub/brostep. Just remember not to go full dubstep.

Skrillex - Bangarang!



Yo, fuck what dubstep nerds say, this shit is bananas. The concept of 'real' dubstep is ridonk, it's a dude programming on his laptop either way. But yeah, this goes hard. Shit gets heavy at times, there's a lot going on, but there are hooks too.


Celldweller - I See Stars Filth Friends Unite



This remix is RIDICULOUS. Celldweller takes a trancecore song and molds it into a metal-influenced eurotrance track that goes balistic when the dubstep drops around 35 seconds in. With the exception of one hiccup it all flows beautifully. And you and your crew can feel badass shouting 'I go looking for friends in the filthiest places' and then going mental.

LMFAO ft Lil John - Shots



If LMFAO aren't enough craic by themselves, there's also the most obnoxious man in the planet Lil John shouting at you to drink more! If people know this song, this could be an epic moment. If they don't know it, the party is probably done immediately. I like to think Lil John is a sweet, soft spoken man who drinks tea and honey when not in character.


Thursday, November 7, 2013

Dodgy Film Club: The Last Stand



It's a simple enough premise: The leader of a drug cartel escapes from a courthouse and is racing towards the Mexican border and freedom. The only thing that stands in his way is Arnold Schwarzenegger and his merry band of law enforcement misfits.



The film itself is more complicated, however. I mean, the cast is actually kinda decent for an action flick. Arnie, Johnny Knoxville as the wildcard, Forest Whitaker as the government police guy, some feisty chick as a female cop and some handsome dude as the loveable badboy. What's more, there is actually some attempt to pace the film at the start, to establish a storyline and build the characters.

On the other hand... How long has Arnie lived in America now?  Dat accent! Even in the storyline he is meant to have spent part of his career in LA. Then there's extended fight scenes, a shooting and a car chase within the first 28 minutes, too. And the police team are laughably cliche. Arnie, despite barely being able to speak understandable English, is the insightful, all-knowing Sheriff, backed up by:
  • a chief Wiggum type chief 
  • the above mentioned feisty girl 
  • an All American guy who seems like a noob
There are times when this feels like a disaster blockbuster from the 90s. The amount of back and forth scenes alternatively showing the action on the road, at a roadblock and at police/govt HQ is like something out of Armageddon or Independence Day. When is Arnie getting involved in the action for reals you guys??

After about 35 minutes however, I found I was invested! Two cops were stranded when Arnie shows up. Within 5 seconds he has run over one guy with his jeep, smashed the window with his elbow and shot two more guys with a shotgun, now we're getting somewhere!

The siege element of the movie is when things really kick up a gear. This is some classic A-Team-esque 'baton down of the hatches and use what you have' action. Johnny Knoxville and the bad ass are made deputies (wat?) and the team set up their own road block with some impressive weapons that are questionably legal.



There are inconsistencies all over the place. Despite being hopeless in an earlier shootout, the female cop is extremely proficient with a sniper rifle, but she can't use a walkie talkie without slamming it on the ground each time.

It's worth watching, probably more suited to a guys night in than Dodgy Film Club, though. There is one spectacular mid air kill from Arnie though and some classic moments if you have missed him in this kind of role.




Wednesday, November 6, 2013

GDAC Playlist: King Prawn - The Dominant View

I can't overstate how big the p-rock channel was for me. It was the rabbit hole that I fell into to find punk rock and ska, providing a soundtrack to my teen years. Years later and my friends and I still revert to these songs when drunk or road tripping.



The Dominant View was a song I'd forgotten about until it was played at a house party a few years ago. This song was typical of British p-rock bands; though predominantly (heh) ska and punk, it has a pinch of nu metal. And of course they have a midget playing the bass.

Tuesday, October 22, 2013

Hallowe'en is coming..Misfits time!

If you like Misfits and aren't a douchebag then you know that Danzig and Graves were both excellent frontmen, with fine singing voices, and to say that the 'only Misfits is a Misfits with Danzig' is unfair and pretty short sighted. However it's perfectly fine to say Misfits without Danzig or Graves isn't really the Misfits, but I'd still go see the Frankenstein's Monster of a band that plays today, just for fun.

With Hallowe'en on the way, here's a sample platter of the ghoulish guys that inspired a generation of goth punks with Mypspace names like NightShayde. They are possibly known for their skeletal merch as much as their music - I distinctly remember a teenage neighbour of mine being in shock that they were a band and not a clothing company - but they have some good tunes too y'know. And to lay all my cards on the table - I prefer Graves-era to Danzig-era. Why? I just prefer things like good production, songwriting and superior singing..

I Turned Into A Martian



After hearing about the Misfits for a long time through the late 90s/early 90s punk bands I listened to, I finally got the album Walk Among Us. I was horrified. Not because of their imagery/lyrics, but because of the production quality. I had been raised on 90s production and this harsh noise was too much for me at first. But slowly the hooks embedded themselves in my brain and I began to appreciate a good 'woah' with this song.

Skulls



This was by far and away the standout song on Walk Among Us for me. I could see a direct link to Alkaline Trio (then and probably still now my favourite band) with deep, melodic pop-influenced vocals contrasting with dark lyrics. The chorus is a punk-hook masterclass; no woahs needed here.

Bullet



Ok, so here goes. Misfits recorded an album called Static age in 1978, which wasn't released until 1997, when some of the guitars were re-recorded. This is why it has an old-Misfits feel (including that 50s Rock N Roll vibe y'know) but the production doesn't sound terrible. This is the perfect bridge between old and new Misfits and Static Age is probably my favourite Danzig album.

Dig Up Her Bones



Oh yes. That's more like that. You hear that kids? That's good production! You feel how it caresses (sorry) your eardrums instead of stabbing them? And that's before the gloriously warm vocals of Michael Graves enter the fray. For some American Psycho was the death of Misfits, I thought it was the beginning of a new era. *insert Graves/Death/Undead/Zombie reference here* Now the riffs were heavier (and could be heard properly), the lyrics were still campy and horror influenced and the vocals were both familiar and fresh.

Scream!



Following American Psycho was Famous Monsters, the last album with Graves on vocals. Scream! is one of many songs that sounded instantly recognisable (the repeated 2 lines of the chorus, slightly altered each time echoing Skulls) while still feeling like a different beast to Danzig fare, through the energy and metal-influenced guitar tones.

Saturday Night



I couldn't leave this one out. 50s crooning that Danzig leant towards but never fully committed to. Never go full 50s crooner rock and roll ballad? That's a matter of opinion. One thing is for sure though, the ladies love it.

Halloween



And of course...for the month that's in it!

Tuesday, October 15, 2013

Dodgy Film Club: Birdemic 2

  
Ah the sequel.. once upon a time it seemed a rare thing, only used when the character-writing of a film was so good, or the story was so complex that another edition was a must. Of course now, sequels = $$$. So, where does that leave Birdemic 2? Will the sequel make lots of money? It might make some, but I doubt studios were engaged in a bidding war. So maybe it will be a natural progression of the story, that answers the (many, many) questions from the first? I wouldn't hold my breath...
 
Most importantly to me and other fans, would the sequel retain the vision, spirit and energy of the first?

Well, having solved climate change in birdemic, James now turns his attention to Hollywood! (Because, you know, he has made a few films in his time and I think he know's what he's talking about okay?



From the opening scene it's clear that James has decided 'if it's broke but it kinda worked, don't fix it!' Yes, just like in the first movie, there is a painfully long credit sequence, this time documenting some guy walking for 5 minutes (in what looks like real time) through Hollywood. The 'extras' are just people who happen to be on the street and a dramatic wailing siren is actually a real cop car that has nothing to do with the story. Also check out the blurred out movie ads. Besides wondering where the scene/character was going, I was also struck by how many people worked on this monstrosity.

Mr Nguyen puts his personal, clumsy stamp all over this movie and the message is again, as subtle as a brick. We're informed that the best indie movies are those where the director is given complete control and how Hollywood movies are like, sooooo expensive.

There's too much to talk about, so - in bullet form - some of the recurring features from the first film:
  • Dodgy news broadcasts
  • Creepy dudes chasing blondes down the street
  • Awkward human interaction
  • Extended clapping/celebration scenes
  • Awkward dinner date
  • A walk on the beach, complete with terrible, windswept audio
  • Terrible graphics
  • Awkwardness, so much damn awkwardness
  • The unsure doctor/professor -"Don't you know that uh birds are the descendants of uh dinosaurs?
  • SUPER awkward dance scene w/black singer singing with no audio/amplification equipment
  • Obtrusive mom

But James didn't make a sequel of basically the same movie without some new tricks up his sleeve! New things to look out for include:
  • A driving scene that looks like an 80s music video
  • Flashbacks to cavemen times
  • An underwater scene like nothing you've ever seen before
  • Some biting satire of horror movies
  • Zombies...

Also: The line where the kid explains how his sister died.

The drinking game, should you need it: Drink on the word 'dead'. Takes a while to get going, but, you'll get there.